Taylor debuts guitars with urban sourced eucalyptus wood
Taylor Urban Ironbark guitars

Taylor Guitars' new Urban Ironbark models use urban sourced eucalyptus wood in the backs and sides.

EL CAJON, Calif. — Taylor Guitars has announced new guitars made with urban sourced eucalyptus wood that the company calls Urban Ironbark.

Featured in the company's redesigned 500 Series instruments, Urban Ironbark, is a brand-new tonewood that debuts as the back and sides of its 514ce and 512ce models. The tonewood is a first for the guitar-making industry and joins Urban Ash as the second tonewood in Taylor's product line to come from Taylor's urban sourcing initiative in collaboration with West Coast Arborists, Inc. (WCA).

The reimagined 500 Series models feature Taylor's, award-winning V-Class bracing system as well as a torrefied spruce top, yielding a sound the company describes as "robust, muscular and sweet."

Urban Ironbark, otherwise known as red ironbark eucalyptus (Eucalyptus sideroxylon), is one of more than 700 eucalyptus species found around the world. Taylor's partnership with West Coast Arborists allows access to select urban trees from Southern California — part of a municipality's managed public tree population — that are designated for removal after reaching the end of their life cycle or posing a safety risk to the community.

Typically, these end-of-life trees are converted into firewood or mulch. However, Taylor's innovative partnership with WCA allows the trees to live on as beautiful acoustic guitars.

Taylor Urban Ironbark guitar detail
Urban Ironbark replaces mahogany in the 500 series guitar backs and sides. The wood compares to East Indian rosewood and ebony in density, according to Taylor Guitars.

New tonewood
This is the first time Taylor has converted an established guitar series from a traditional tonewood (in this case mahogany, long a staple of Taylor's 500 Series) to a wood sourced from the urban forest. Chief Guitar Designer, President and CEO Andy Powers spent several years testing Urban Ironbark's workability and viability as a guitar tonewood.

"Usually, denser woods are hard to dry and prone to distortion, which needs to be carefully controlled to yield a stable guitar part — like ebony," Powers said. "With red ironbark, we found that we could dry it consistently well the way we might dry East Indian rosewood. This ironbark has similar characteristics in that regard. It's very stable. On top of all of this, it has one of the smoothest and most uniform textures of any dense wood I've ever seen."

Taylor Urban Ironbark guitars back
According to Taylor, the Urban Ironbark backs add more volume and projection to the guitar's sound.

The new urban tonewood has a physical density comparable to ebony while also delivering the sonic depth and richness of Indian rosewood, but pushed to another level, according to the company. The voicing recipe for the new guitars include a torrefied (roasted) Sitka spruce top paired with Taylor's V-Class bracing. The result can be described as a fresh variation on the classic spruce/rosewood sound with the help of Taylor's modern acoustic engineering, and with the guitar's enhanced volume and projection immediately evident, even with a lighter playing touch, according to the company.

"Urban Ironbark has a tone-shaping quality where it produces the deep, clear sound of rosewood but with just enough of the damping effect of ebony or mahogany that helps smooth out the sharp edges of the sound," Powers said. "With the ironbark's density, the guitar sound is what I would describe as muscular and strong. The sensation I get when I play it is like the guitar is naturally amplifying everything I do. It's giving me back more than I put into it — like the notes want to jump out of the guitar. These are guitars I'm really excited to get into people's hands."

The appointments on the new 500 Series offer a nod to the classic heritage of Taylor's 500 Series, which were previously mahogany guitars. The back and sides feature a stain that deepens ironbark's natural reddish and golden-brown hues, along with a lightly shaded edgeburst on the body and neck. Other details include new Aerial inlays in Italian acrylic, faux tortoise shell binding and pickguard, and a single-ring abalone rosette with maple and black purfling. Both models include onboard ES2 electronics and a mahogany neck with Taylor nickel tuners.

For more information about the new models and the entire Taylor lineup, visit taylorguitars.com.

About Taylor Guitars
Taylor Guitars was founded in 1974 by Bob Taylor and Kurt Listug and has grown into the leading global builder of premium acoustic guitars. Taylor now employs more than 1,400 people and currently produces hundreds of guitars per day in its state-of-the-art factory complexes in both El Cajon and in Tecate, Baja California, Mexico. In December of 2020, Taylor transitioned to 100-percent employee ownership, and in 2022, Chief Guitar Designer Andy Powers was named President and CEO.


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About the author
William Sampson

William Sampson is a lifelong woodworker, and he has been an advocate for small-scale entrepreneurs and lean manufacturing since the 1980s. He was the editor of Fine Woodworking magazine in the early 1990s and founded WoodshopBusiness magazine, which he eventually sold and merged with CabinetMaker magazine. He helped found the Cabinet Makers Association in 1998 and was its first executive director. Today, as editorial director of Woodworking Network and FDMC magazine he has more than 20 years experience covering the professional woodworking industry. His popular "In the Shop" tool reviews and videos appear monthly in FDMC.