Edward Wohl: 45 years a craftsman and still going
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Edward Wohl has built a business and a life crafting fine furniture and designer cutting boards.

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Wohl characterizes his furniture as “somewhere between Scandinavian and Shaker” design.

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Wohl spent a summer at the California home and shop of Sam Maloof, and Wohl's rockers show that influence without being clones of Maloof's original design.

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Wohl says he owes much of his design sensibility to a long-time friendship with the late Bill Stumpf, designer of the Herman Miller Aeron chair. Wohl particularly admired Stumpf's attention to detail, and Wohl focuses on every detail of his own work, finishing parts that customers might not even see or ever touch.

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In addition to custom furniture, a big part of Wohl's business is his line of cutting boards, chopping blocks and trays, all made out of bird's-eye maple.

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Wohl built his house and shop on a hilltop in rural Wisconsin in 1982. He says he loves the shop and spends more time there than his house.

RIDGEWAY, WISC. – From his hilltop shop and home in rural Wisconsin, Edward Wohl looks back on more than four decades of craftsmanship, building original fine furniture and designer cutting boards out of highly figured hardwoods such as bird’s eye maple. And he’s not done yet.

“I have been at my craft for 45 years and don’t see stopping any time soon,” he said. “In fact, my son Jonathan will be moving back to Wisconsin this coming June and joining the business.”

That business also includes Steve Pierick, who started working for Wohl more than 32 years ago when Wohl’s son was just six months old. And there is also Wohl’s wife, Ann Wolfe, who Wohl affectionately describes as the “COE, Chief of Everything.”

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Wohl characterizes his furniture as “somewhere between Scandinavian and Shaker” design. It has a sculptural quality with rounded and shaped curves. There are no sharp edges or corners, and the smooth feel extends to every part of the furniture.

“We finish all the parts of any piece of furniture, the backs, the bottoms, the inside of the cabinets, even if it’s things people aren’t ever going to touch,” he said. “There’s never a point in any of my furniture where you will feel something rough, and I think people really notice that and like that.”

Although woodworking shop classes seem to be disappearing from most public schools today, Wohl attributes an early shop class as setting him on the path to his chosen career.

“I think all my life I have made things,” he said, “and I think seventh grade shop was the most fun I had in all my school days.”

Wohl comes to his designs with some formal training. He graduated from Washington University in 1967 with a BS degree in architecture. But he also says he owes a lot to his longtime friendship with the late Bill Stumpf, the acclaimed Herman Miller designer of the iconic Aeron chair.

“He was a real genius and a real incredible craftsman,” says Wohl. “Bill Stumpf paid extraordinary attention to every detail, every round, every curve, and I think I learned the essence of design and craftsmanship from him in a way that I never would have from anyone else in the world.”

Wohl also spent a summer at the California home and shop of Sam Maloof. Wohl’s chairs and rockers show the Maloof influence without being slavish clones of Maloof’s original design.

Wohl often makes scale models as part of his design process, and he incorporates design elements developed for one piece of furniture into other pieces. That gives his work a distinct and consistent style throughout.

But Wohl doesn’t depend only on his custom furniture business. He has a second shop dedicated to the manufacture of his line of 20 sizes of cutting boards as well as trays and chopping blocks. The success of the cutting boards comes as a bit of surprise to Wohl.

“We never thought the cutting boards would be a long-term craft item. Most craft items have a very short shelf life,” said Wohl. “But at this point in the game we’ve gone from making a few thousand a year to ten or twelve thousand a year, and we sell them all over the United States and in seven or eight foreign countries.”

One of the things that makes the cutting boards stand out is that they are all made of bird’s eye maple, a highly figured wood with which Wohl clearly has a long-time love affair.

“I’m not sure when I discovered bird’s-eye maple,” he said. “But it’s a perfect wood for the cutting boards because even when the shapes of the cutting boards are the same, each board is different. I love bird’s-eye maple. The pieces always look so great.”

Many woodworkers would envy Wohl’s rural craftsman lifestyle. He built is house and shop on a hilltop in 1982, with the shop just a short walk from the house.

“Having a shop here at home is perfect,” he said. “Often people come here and they say, ‘Wow, this place is nicer than our house.’ And I say, well, I spend more time here than I do in the house.”

With a wry sense of humor and a constant twinkle in his eyes, Wohl, clearly enjoys his work. “I love being in the shop,” he said, mentioning all the hours, days, nights and weekends he spends there. Then he quips, “I’m not sure I just make furniture so I can have all these tools.”

You can see an excellent and entertaining video about Wohl below or visit his website at edwardwohl.com.

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About the author
William Sampson

William Sampson is a lifelong woodworker, and he has been an advocate for small-scale entrepreneurs and lean manufacturing since the 1980s. He was the editor of Fine Woodworking magazine in the early 1990s and founded WoodshopBusiness magazine, which he eventually sold and merged with CabinetMaker magazine. He helped found the Cabinet Makers Association in 1998 and was its first executive director. Today, as editorial director of Woodworking Network and FDMC magazine he has more than 20 years experience covering the professional woodworking industry. His popular "In the Shop" tool reviews and videos appear monthly in FDMC.