Marquetry makes its mark at Messler Gallery
Messler Gallery marquetry reception

Viewers examine more than 20 pieces of expert marquetry at the “Free Verse” exhibit in the Messler Gallery at the Center for Furniture Craftsmanship in Rockport, Maine.

Featuring pieces by 22 artists from 6 countries, a new exhibit of outstanding work in marquetry wowed an opening reception crowd at the Messler Gallery of the Center for Furniture Craftsmanship in Rockport, Maine.
“Free Verse,” an international survey of contemporary marquetry, is on display at the Messler Gallery through April 2. The public was invited to the opening reception on January 31, and to a gallery talk the next afternoon, where the exhibitors discussed their work.

 

Silas Kopf marquetry
Marquetry legend Silas Kopf crafted this piece called “Gone Fishin’” using bubinga, holly, and other assorted veneers.

James Macdonald of Burnham, Maine, curated the exhibition of 21 pieces by 22 wood artists from six countries, including a beautiful electric guitar that Macdonald crafted himself. Other pieces included tables, cabinets, boxes, and wall hangings. Macdonald describes marquetry as the “art of assembling wood and veneers into decorative patterns or images, and the variety and remarkable craftsmanship on display ranges from stunning cabinets with intricate inlays to luminous wall hangings and pop-art inspired objets d’art.”

 

Paul Schurch Spiral Sushi table
Award-winning veneer artist Paul Schurch created this table titled “Sprial Sushi” using quilted maple, walnut burl, elm, madrone, mahogany, and blue bird’s-eye maple. See a video of how it works below.

“What compels us to concern ourselves with thin fragile slices of wood?” said Macdonald. “Sawing, cutting, carefully coaxing our chosen material into the voice of our artistic vision, we participate in this craft called marquetry. “Free Verse” will be a showing of the work of contemporary marquetry artists – some new, some who have made a career of the artful assemblage of veneers.” 

 

Greg Zall Cockatoo marquetry
The late Greg Zall (1957-2023) created “Cockatoo” in 2022 using holly, walnut, wenge, ebony, bloodwood, and poplar.

Macdonald said his focus in selecting the exhibitors was to find those looking beyond tradition and using this craft as a means of personal creative expression. “Be free to push your boundaries,” he encouraged, “show us where you are or where you are heading. Help this be an exhibition not of rules, but of possibilities!”

 

James Macdonald guitar marquetry
This guitar was made by James Macdonald, who also curated the exhibit. The guitar, titled “That Summer Concert,” uses Honduras mahogany, Macassar ebony, and other veneers.

International exhibitors include Ryan Andrusky (Alberta, Canada), Susan Bart (Bilbao, Spain), Adrian Ferrazzutti (Ontario, Canada), Isaac Sintim (Accra, Ghana), Anne Lecorguillé (Plévenon-Cap Fréhel, France), and Toby Winteringham (Norfolk, England). 

 

Anne Lecorguille marquetry
French veneer artist Anne Lecorguillé created this veneer wall hanging with straw.

Exhibitors from across the U.S. include Shannon Bowser (Brooklyn, New York), Paula Garbarino (Somerville, Massachusetts), collaborators Cindy Goldman and Spider Johnson (Austin, Texas), Scott Grove (Canandaigua, New York), Sasha Kopf (Hadley, Massachusetts), Silas Kopf (Northampton, Massachusetts), Patrice Lejeune (Los Angeles, California), James Macdonald (Burnham, Maine), David J. Marks (Santa Rosa, California), Jack Mauch (Spruce Pine, North Carolina), Brian Reid (Rockland, Maine), Paul Schürch (Laupahoehoe, Hawaii), William Tunberg (Venice, California), Chelsea Van Voorhis (New Orleans, Louisiana), and the late Greg Zall (1957-2023).

 

Spider Johnson marquetry
“Wonderland” was a joint project between Cindy Goldman and Spider Johnson using natural dyed wood veneers, wenge, and lacquer.

The Center for Furniture Craftsmanship was founded by Peter Korn, in 1993, to meet the educational needs of contemporary woodworkers. It began as a summer workshop program in a barn behind his house and moved to its present location in 1996. The Center became a non-profit organization in 1999, and Korn served as Executive Director until his retirement in 2021. In 2024, the school had 396 course enrollments from 43 states and 8 foreign countries. Participants include both amateur and professional woodworkers. For more information, visit woodschool.org

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William Sampson

William Sampson is a lifelong woodworker, and he has been an advocate for small-scale entrepreneurs and lean manufacturing since the 1980s. He was the editor of Fine Woodworking magazine in the early 1990s and founded WoodshopBusiness magazine, which he eventually sold and merged with CabinetMaker magazine. He helped found the Cabinet Makers Association in 1998 and was its first executive director. Today, as editorial director of Woodworking Network and FDMC magazine he has more than 20 years experience covering the professional woodworking industry. His popular "In the Shop" tool reviews and videos appear monthly in FDMC.