Rolland, a master bow maker working principally in who is experimenting with new designs and materials to create violin, viola, and cello bows for the twenty-first century. As a talented violinist who undertook rigorous training steeped in the tradition of nineteenth-century bow design, Rolland brings a unique perspective and keen understanding of musicianship to his work.
MacArthur named 23 new MacArthur Fellows for 2012, working across a broad spectrum, including a neurosurgeon, a photographer, an optical physicist, and a fiction writer. Rolland is the only one making his living working in wood. Fellows are selected, in a secretive process, for creativity, originality, and potential to make important contributions in the future. They receive a $500,000 grant with no strings attached, to support them for the next five years.
Rolland's accomplishments in design of bows, and in development of alternative materials and species to preserve pernambuco, now an endangered wood species, were cited by the MacArthur selection committee
Rolland's bows are prized by contemporary musicians for rivaling the quality of revered bows of the 19th century. Before making a bow for a particular musician, Rolland says he listens to recordings or live performances so the finished bow matches the individual player’s personal playing style, and brings out the richness of tone and color in the instrument.
Shown: White-rot fungus Physisporinus vitreus
In response to the increasing scarcity of pernambuco wood, favored by musicians and bow makers for centuries, Rolland also has begun experimenting with alternative materials, including graphite.
Rolland received degrees from the Conservatoire de Paris and Versailles (1970) and the Bow-Making School of Mirecourt (1974) and also studied at Schola Cantorum (1980–1982). After working for many years in Paris and the Island of Bréhat, he established his current studio in Boston in 2001.
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