Rethinking CNC's role in transforming walnut into furniture
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Designer Vincent Pocsik has debuted a line of furnishings of walnut, carved – Pocsik is skilled in digital fabrication –  at his Los Angeles studio, and ebonized or finished naturally with oil.
Brass insets unify the striking line, which includes dining, coffee, and occasional tables, stools, and a cutting board. Pocsik, who has a masters in architecture from Southern California Institute of Architecture, has moved into furniture design, and brings to bear a structural approach to his work in wood.
He is equally adept in traditional joinery and digital tools, applying CNC fabrication in moderation, when  it is called for, as one more implement in his toolset.
 “I respect traditional design methods, but my skills are also rooted in the digital era,” Pocsik says. “You have to balance traditional design methods, but also traditional methods of construction,  because they are incredibly necessary in woodworking, especially in fine woodworking. But you can combine these with digital fabrication. Traditional methods of fabrication shouldn’t limit either side.”
Pocsik feels that furniture design risks getting overly reliant on digital fabrication. “When people rely on it a lot, then it becomes evident they were using that tool,” he says. “It becomes more of a crutch. I like to use the CNC, but it is a tool, like the other tools.”

Pocsik is at work on Series 002 of his furniture line, a smaller series – more expressive and closer to one-off pieces, with more detail in the fabrication. He is at www.vincentpocsik.com

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About the author
Bill Esler | ConfSenior Editor

Bill wrote for WoodworkingNetwork.com, FDMC and Closets & Organized Storage magazines. 

Bill's background includes more than 10 years in print manufacturing management, followed by more than 30 years in business reporting on industrial manufacturing in the forest products industries, including printing and packaging at American Printer (Features Editor) and Graphic Arts Monthly (Editor in Chief) magazines; and in secondary wood manufacturing for WoodworkingNetwork.com.

Bill was deeply involved with the launches of the Woodworking Network Leadership Forum, and the 40 Under 40 Awards programs. He currently reports on technology and business trends and develops conference programs.

In addition to his work as a journalist, Bill supports efforts to expand and improve educational opportunities in the manufacturing sectors, including 10 years on the Print & Graphics Scholarship Foundation; six years with the U.S. WoodLinks; and currently on the Woodwork Career Alliance Education Committee. He is also supports the Greater West Town Training Partnership Woodworking Program, which has trained more than 950 adults for industrial wood manufacturing careers. 

Bill volunteers for Foinse Research Station, a biological field station staddling the border of Ireland and Northern Ireland, one of more than 200 members of the Organization of Biological Field Stations.