Basic Woodworking Machinery Used to Create Kinetic Sculptures
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Photo By David C. Roy

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Falling Water II is a limited edition kinetic sculpture by artist David C. Roy.

Photo By David C. Roy

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Dimensions is the latest limited edition sculpture from David C. Roy. Only 95 units are available.

Photo By David C. Roy

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Dimensions

Photo By David C. Roy

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Dimensions

Photo By David C. Roy

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The Solo sculpture features constantly shifting straight line "floating" motion.

Photo By David C. Roy

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Solo

Photo By David C. Roy

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Solo

Photo By David C. Roy

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Variation II Sun is the second design in David C. Roy's Variation II series.

Photo By David C. Roy

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Variation II Sun

Photo By David C. Roy

Woodworker David C. Roy has been making limited edition and one-of-a-kind kinetic wooden sculptures since 1975 at his workshop in Ashford, CT.

From his web site, Roy describes each limited piece as "a wooden machine designed to produce interesting patterns. A simple winding sets them in motion where they entertain for hours with random patterns and soft sounds. The sculptures move solely by the controlled release of energy from a spring. No other motor, battery or power source is used."

Roy says his first sculpture was "a 6-foot-tall freestanding monster that hardly moved and ran for all of 20 minutes powered by a 15 pound weight."

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The tools in his shop are basic woodworking equipment including: drill presses, bandsaw, routers, jigsaw, sanders and a collection of hand and hand power tools. His designs were orginally hand drawn until Macintosh computers burst on the scene in the 80s and he started using computer drawing programs, eventually setting on Adobe Illustrator as his design software.

The continuing advances in technology have also opened the doors to numerous other programs for Roy:

"The computer has proven a wonderful tool for drawing and cutting the forms I use but also for the important task of visualizing new shapes and patterns in motion. I can link the Illustrator drawings of individual parts together in an animation application called After Effects," Roy says in a blog. "I then use some simple programming to set them in motion. This enables me to quickly iterate through many changes and see how the motion patterns evolve.

"I also use several other applications when desiging, he continues. "To visualize freestanding sculptures I create full 3D drawings and animations using a program called Strata Design 3D. This program was indispensable for the large and complex drawings needed for Silver Symphony. This piece was complex to build and I wanted it know how it would look before I started. I use Working Model to compute the balance points of complex systems of parts where balance is critical as in a scupture like Frolic."

Learn more about Roy's work at woodthatworks.com.

 

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About the author
Michaelle Bradford | Editor

Michaelle Bradford, CCI Media, is Editor of Closets & Organized Storage magazine and Woodworking Network editor. She has more than 20 years of experience covering the woodworking and design industry, including visits to custom cabinet shops, closet firms and design studios throughout North America. As Editor of Closets & Organized Storage magazine under the Woodworking Network brand, Michaelle’s responsibilities include writing, editing, and coordinating editorial content as well as managing annual design competitions like the Top Shelf Design Awards. She is also a contributor to FDMC and other Woodworking Network online and print media owned by CCI Media.